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Ally Vinyard. Desk Sergeant. Young Ally Vinyard. Lawrence's Partner. Random Skinhead. Stocky Buddy. Basketball Player.

White Supremicist uncredited. Skinhead uncredited. Prison Gang Leader uncredited. Police officer uncredited.

Parking Lot Skinhead uncredited. Young Danny Vinyard uncredited. Student uncredited. Skinhead Girlfriend uncredited. Jail Inmate uncredited.

But that might be because the work print wasn't that far into the post-production yet. In the work print, you find out that Derek had been convicted to state prison arrest for seven years.

Also, only in the work print you see Danny with tears in his eyes after he has written that it would have been a lifetime sentence if he had testified.

In the theatrical version, the scene with Danny is seen later in the film. In the work print version, there is a scene showing Derek and Seth arriving at the party.

Derek is surprised that the event is so big and says coming here was no good idea. During the concert, there is often alternative material.

Also, the song "Sieg Heil" is missing in the work print. The work print shows a scene of a skinhead pressing his face into the naked breasts of a woman.

The theatrical cut on the other hand has got an exclusive scene showing a little boy wearing a Nazi-uniform, sitting on his fathers' shoulders and raising his hand to do the Hitler-salute.

The conversation between Cameron and Danny about Sweeney is the same in the beginning. In the work print, the conversation goes on longer.

Cameron tells Danny that Sweeney follows his own plans. He encourages black people to achieve more in life at the expense of the white working class.

The worst though is that he makes young people like Danny look like racists and even makes themselves believe they are, even though they actually are only proud of their white origin.

Cameron cannot let that happen. In the work print, Seth is standing on the stage singing his own version of "Glory Glory, Hallelujah".

Stacey is also part of the audience, just like a couple having sex in the middle of the crowd. Only in the theatrical version, Seth notices Derek coming in to Cameron.

All the scenes inside Cameron's rooms with Danny and the first parts of the conversation between Derek and Cameron are identical.

In the theatrical version you see the party for a short time. Seth is singing his song and Danny is kissing his girlfriend.

After Derek blames Cameron about not knowing anything about the joint, only in the theatrical version he mentions that Cameron had only been in for two months and got out because he had betrayed two other inmates to the prosecution.

Also, in the theatrical cut, Stacey later brands Derek a "Nigger, Nigger, Nigger", when he tries escaping from the party together with Danny.

Generally, the theatrical version is always cut a bit longer during these scenes. In the prison, in the beginning, Derek gets shouted at longer through the bars by the guard in the theatrical cut.

Derek's short voice over is different, too. In the work print, he says that he had thought he could leave the joint early because of good conduct after three years.

When Derek joins his Nazi-fellows to get their protection in the joint, the theatrical cut shows everything a little more detailed.

Because of that, the scene on the roof appears more threatening when Derek shows the swastika on his chest directly in front of some black guys and then starts lifting weights.

The big leader of the black guys observes the scene longer with sinister eyes before deciding to leave. Later during the meal the work print misses many reaction shots of other inmates.

In return, the work print has another voice over of Derek, in which he explains that he had already heard of one of the leading Nazis here in the joint, who is part of the Aryan Nations from Portland and who is familiar with Derek, which, of course, eases his integration.

The transition to the laundry after that is different. The work print, again, shows the bars in front of the cells and a guard making loud noises with the bars and his club.

The theatrical version starts with an extended introduction by Lawrence, who is making himself look like the most important man in the joint, since he is the one rummaging and distributing the underwear.

There is a bigger difference when they sort the underwear, though. For one, Lawrence mentions in the work print that he believes that even in prison the black guys get disadvantaged because Derek, as a white man, got such a nice job at the laundry right in the beginning.

Subsequently he asks Derek what he was convicted of and starts wildcatting when Derek doesn't answer right away.

In the theatrical version, he only asks whether Derek has robbed an old woman. Derek hardly moves his face and remains silent - until the end of the scene.

But it's easy to see that Lawrence's talking is getting on his nerves. In the work print, the scene is different.

Lawrence asks about the reason for Derek's stay in prison, too. But first, he assumes that Derek might have evaded taxes, then here too, that he might have robbed an old lady.

After a short break though, he is certain to know the reason. Derek surely had sex with his own sister. Derek grins - not the friendly kind of way - and then says, in a very aggressive tone, that the reason for him being in prison might be that he had shot two black guys when they had tried to steal his car.

Lawrence's own smirk gets wiped off his face. Derek continues that, if it was up to him, he wouldn't work next to a black guy for five minutes.

He tells Lawrence to only calmly do the laundry and not to be concerned about what Derek would do to him if the two had met outside in freedom. But then, Lawrence grins again and says in both versions confidently that inside the joint the white guys are the blacks.

Derek watching Mitch doing business with the Latinos, getting angry about it but having to realize that the other Neo Nazis are not so serious about their ideology and find Derek's ramblings to be partway annoying is identical in both versions.

The theatrical cut only tells it a bit more generously. A part of the conversation with Derek's mother is different.

In the theatrical version, Doris first tells about Davina getting straight As in school and about her youngest who can already walk.

In the work print though, she talks about Danny longer, about how proud he is of Derek but still hangs out with Cameron. In the work print, Derek also ends the talk much quicker and without any emotion and ostentatiously puts away the phone while looking his mother straight into the eyes.

In the theatrical cut, though, he gets loud, because he cannot do anything for Danny from here and he only wants to peacefully serve his sentence in prison.

He doesn't want to see his family, otherwise, he cannot endure this. The theatrical version takes up a little more time during the piling of the bed clothes and at the end, after Derek has calmed himself, Lawrence says that ignoring each other actually is a good solution.

Derek watches Mitch dealing a bit longer in the theatrical version. Mitch tells a dirty joke respectively the end of it before going to the Mexicans.

Then he sells the drugs to somebody else, which you cannot see in the work print. Additionally, the theatrical version features a voice over of Derek explaining just this and finalizes by saying Mitch doesn't believe in anything, just like the others.

Derek dissociates himself more and more from the effeminate Neo Nazis in prison. Derek and Lawrence piling up the underwear and Lawrence actually managing to make Derek laugh with his lecture about the smell of women is basically identical in both versions, even though in the theatrical cut it is a bit longer again.

The work print has got a voice over, though. Derek mentions that there is no reason for Lawrence to like Derek and the only reason he talks so much is probably because it is the only way he can manage the isolation in prison.

In return, the scene in which Derek ostentatiously walks past Mitch is longer in the work print. The theatrical version concentrates on Mitch and Derek.

The work print shows other inmates, including Lawrence, noticing this behavior of Derek. When Derek and Lawrence again pile up laundry, this time bedding again, there is a longer, new discussion in the theatrical version about the Lakers and the Celtics, respectively which one is the better team.

Derek and Lawrence already get along here extremely well and obviously have a lot of fun with their conversations. Then, the work print shows a small scene showing the inmates getting lead away.

Mitch is watching Derek from his cell. The theatrical version features a scene on the roof showing Derek playing basketball with other black guys.

The Aryan Brotherhood observes this scenery and is not very happy. The rape in the shower begins in both versions differently.

In the theatrical version you see other inmates taking a shower and leaving before the Aryan Brotherhood comes in, whereas Derek carelessly stays behind by himself.

In the theatrical version, the guard only leaves after the others already had overwhelmed Derek and pressed him against the wall.

In the work print he goes before that happens and there are no other inmates to be seen at all. Derek seems to be alone in the shower.

The rape itself proceeds similarly. Subsequently, Derek lies on the ground bleeding. The work print is a little more explicit here.

Both versions also have a take of blood flowing from below his belly. Later, you see a long shot of some blood next to this spot. You can guess where the blood comes from.

The work print though makes it clear that the blood here is coming from Derek's Anus, possibly with other expulsions of more solid texture, also swimming in the blood.

Subsequently, the work print features a scene showing Lawrence finding Derek and carrying him out of the shower room. The discussion with Sweeney is content-wise identical.

In the work print, Sweeney deepens single points a little. Here, he says for example, that Derek's hatred turns off his intelligence.

The cafeteria-scene is identical. The work print, though, features a voice over of Derek saying that he is back where he had started with the only difference being that more time has passed.

The conversation with Lawrence is identical. Subsequently, when Derek waits getting killed by the black guys, there are rather big differences.

The work print is shorter and only shows different inmates looking to Derek while there is the voice over addressed to Danny.

Here, he tells, that Sweeney had been right. Derek doesn't want Danny to go the same way. In the theatrical version there are takes of Derek in the shower or at the training, while there is a voice over of him saying he only waits for his death.

The theatrical cut even intentionally builds up an intimidation scene, in which a couple of big black guys go toward him while he goes away from the training spot.

The conversation between Danny and Derek at home is alike. But in the theatrical version you see them run home whereas in the work print you only see the tenement.

The theatrical version shows Derek waking his mother and asking, if she wants to sleep in Danny's room. Then everybody wishes each other a good night.

The theatrical cut shows Derek putting the Teddy to the youngest sister in her bed, which, in the work print, you only see after they have tidied Danny's room.

Both scenes are basically identical, but the work print has a voice over by Danny. He says that a part of him believed Derek would be proud when he sees what Danny had learned while Derek was away.

The theatrical version now shows Henry driving past Danny's apartment with his brother. The work print now shows the youngest daughter. The drive-by-scene is almost identical.

But in the theatrical cut Jerome acts like he would fire a gun at the house. That's missing in the work print. The subsequent shower scene can now be seen in the work print, in the theatrical version only after the following flashback.

In the theatrical version of the scene with dinner with their father, Danny's tapping fingers and his voice over introduce to the flashback to the dinner with the father.

But in the work print to the finishing of the essay in the morning. In the work print, you could see that flashback in the first act, after Danny comes back from school and before Sweeney goes to the police station.

In the theatrical cut, there is a voice over by Danny, respectively he writes into his essay: "It's hard to look back and see the truth about people you love.

I think, if you asked Derek why it went the way it did and when it all started, he'd still say it started when our father was murdered. The truth is it started earlier.

In the work print, Derek says very early that he is black, which makes his father wary. Also, Derek slips a "shit" and his mother asks him to watch his language.

But in the theatrical version, the father says that he is reading too, after not knowing what book "Native Son" is. The Most Exciting Dinner in the history of Cinema.

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Derek seems to be alone in the shower. In the work print, you could see that flashback in the first act, after Danny comes Lana rhoades mia malkova gifs from Men jerkingoff and before Sweeney goes to the police station. New account Forgot your password? Retrieved June 5, After all, he is just a boy who has lost his father. In the Theatrical Family sex naked on the other hand you see Miami dade college online squirming on the ground for a longer time. In the Theatrical Cut he starts off much more relaxed and first asks Danny how he is and even mentions Knulla damer he had been teaching Youporn incest brother Derek in the past. Olson, Eric February 22, Subsequently, the work print features a scene showing Lawrence finding Derek and carrying him out of the shower room. Sweeney's arrival at the station house is different. American history x sex scene

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